Including 400 Drama Pictures Taken in Europe and America from 1890 to 1930 , Preserved and Published in Japan around 1930, and Many Other Antique Photos I Have Gathered
Thursday, 28 December 2023
Monday, 18 December 2023
Voulez-vous jouer avec moâ? (1922) written by Marcel Achard and produced at the Théâtre de l'Atelier, Paris, on 18 December, 1923
Sunday, 17 December 2023
La Maison Natale (1923) written by Jacques Copeau and produced at the Théâtre du Vieux-Colombier, Paris, in 1923
Friday, 15 December 2023
Knock (1923) written by Jules Romains and produced at the Théâtre des Champs-Élysées, on December 14, 1923
Further Information about this Play
Saturday, 18 November 2023
Les Ratés (1920) written by Henri-René Lenormand and produced at the Theatre Guild, New York, in 1923-24
Scenes from Les Ratés (The Failures, 1920) written by the French playwright Henri-René Lenormand (having steeped in symbolism, 1882 - 1951) and produced at the Garrick Theatre, New York City, by the Theatre Guild, under the direction of Stark Young (1881 - 1963) with the stage designed by Lee Simonson (American stage setting designer, 1888 - 1967), having run for 40 performances from November 19, 1923 to January 1924.
Friday, 3 November 2023
Nebeneinander (1923) written by Georg Kaiser and produced at Die Truppe, Berlin, in 1923
Thursday, 2 November 2023
Scenes from Nebeneinander (Side by Side), written by Georg Kaiser, and premiered at the Schauspielhaus, Berlin, on 3 November, 1923, directed by Berthold Viertel with design by George Grosz.
Scenes from Nebeneinander (Side by Side), written by the German playwright Georg Kaiser (1878 – 1945), and premiered at the Schauspielhaus, Berlin, on 3 November, 1923, directed by Berthold Viertel with design by George Grosz.
Kaiser's drama Side by Side (Nebeneinander, 1923), a 'people's play' (Volksstück), premiered in Berlin on 3 November 1923, directed by Berthold Viertel with design by George Grosz. With this play Kaiser moved away from the Expressionism of his previous works. Utilizing a more rounded characterization and more realistic curt, comic dialogue to tell a light-hearted story of an idealistic pawnbroker caught up in the hyperinflation afflicting Germany at the time (the currency stabilization came a fortnight after the play opened), the play inaugurated the 'new sobriety' (Neue Sachlichkeit) in the drama. "Kaiser has left the cloud that used to surround him," a review in the Weltbühne suggested, "and landed with both feet on the earth."

















