Monday, 2 December 1996

Die Versunkene Glocke, written by Gerhart Hauptmann and performed at the Deutschen Theater, Berlin in 1896

   Characters in Die Versunkene Glocke (The Sunken Bell,  A German Fairy Tale Drama in Five Acts, first published in 1897), written by German playwright Gerhart Hauptmann (1862-1946) and performed under the direction of Cord Hachmann (German theatre director, 1848 - 1905) at the Deutsches Theater, Berlin, on December 2, 1896.




Otto sommeerestorff als Glockengiesser


Joseph Kainz (as Heinrich)

Joseph Kainz (as Heinrich)


This photo may be that of one scene from The Sunken Bell (Die versunkene Glocke) performed in 1896


Die versunkene Glocke, illustriert von Heinrich Vogeler, 1898



Tuesday, 30 July 1996

The Prisoner of Zenda (a Romantic Play in a Prologue and Four Acts), adapted by Edward Rose from Anthony Hope's Novel and performed as the New Play at the St James's Theatre, in 1896.

   Scenes from The Prisoner of Zenda (a Romantic Play in a Prologue and Four Acts), adapted by English playwright Edward Rose (1849-1904) from Anthony Hope's Novel and performed as the New Play at the St James's Theatre, London, in 1896.


(The Illustrated London News, 11 January 1896.)


THEATRE PROGRAMME: ST JAMES'S THEATRE: THE PRISONER OF ZENDA . Adapted from Anthony Hope's Story By Edward Rose. 1896.



1909 LONDON Prisoner Zenda St James Campbell Alexander Terriss Firth Coffin.
   The New York Times (1909/02/19)  LONDON, Feb. 18.—George Alexander successfully revived “The Prisoner of Zenda” to-night, Mr. Alexander appearing in his old part. Miss Stella Patrick Campbell was attractive as Princess...






Saturday, 22 June 1996

A scene sketch of 1896 by Adolph Appia in 1896, drawn for the third act of Die Walküre created by Richard Wagner

A scene sketch by Adolph Appia (Swiss architect and stage designer, 1862-1928), drawn in 1896 for the third act of Die Walküre (music drama) created by Richard Wagner (German composer and theatre director, 1813 -1883).





Stage design by Josef Hoffmann (Austrian-Moravian architect and designer, 1870-1956), depicting Hunding's residence as featured in Act 1 of Richard Wagner's opera 'Die Walküre.'

A scene sketch of 1892 by Adolph Appia (Swiss architect, 1862-1928) in 1896, drawn for a unit set for Das Rheingold (music drama) created by Richard Wagner

Scene sketches of 1892 by Adolph Appia (Swiss architect, 1862-1928), drawn in 1896 for a unit set for Das Rheingold (music drama) created by Richard Wagner (German composer and theatre director, 1813 -1883). 







Das Rheingold, scene 2a, Bayreuth, 1896. Set designs by M. Brückner (German artist and set designer 1836-1919)




Scene sketches by Adolph Appia (Swiss architect, 1862-1928), drawn in 1896 for the second act of Tristan and Iseult

Scene sketches by Adolph Appia (Swiss architect, 1862-1928) drawn in 1896 for the second act of Tristan and Iseult (a tale made popular in the 12th century through Anglo-Norman literature, inspired by Celtic legend), indicating a plastic, three-dimensional set revealed in directional light.





Adolphe Appia's design for Tristan und Isolde, 1923

Saturday, 9 March 1996

Don Juan und Faust (1828), written by Christian Dietrich Grabbe and produced at Meiningen in 1896.

Scenes from Don Juan und Faust (tragedy, first published in 1829), written by German playwright Christian Dietrich Grabbe (1801-1836) and produced at the Hofbühne (Court Theatre), Meiningen in Germany, on March 9, 1896.



 "Don Juan und Faust", by Christian Dietrich Grabbe (1801 - 1836), 3rd act,




 "Don Juan und Faust", by Christian Dietrich Grabbe (1801 - 1836), 3rd act, 






Theaterzettel zur Aufführung der Tragödie "Don Juan und Faust. von Christian Dietrich Grabbe" in der Spielzeit 1895/96 des Herzoglichen Hoftheaters in Meiningen.



Wednesday, 3 January 1996

Florian Geyer written by Gerhart Hauptmann and produced at the Deutsches Nationaltheater in Berlin in 1896

Scenes from Florian Geyer (tragedy, prologue and 5 acts, 1894 - 95), written by German playwright Gerhart Hauptmann (1862 - 1946) and produced under the direction of Emil Lessing at the Deutsches Theater, Berlin, on January 4, 1896, with Emanuel Reicher in the title role, Max Reinhardt as Rector Besenmeyer, and Rudolf Rittner as Schäferhans.