Saturday, 31 October 2026

HOME : Welcome to Our Site of THEATRE SCENES

     



   For the first time in my life, I encountered plays as a university student. As an English major, I was fortunate enough to read some plays as part of my coursework. I had never been particularly fond of long novels—and consequently hadn’t read much literature—but plays were relatively short and easy to digest. I ended up reading quite a few plays, most of which belonged to the genre known as "modern plays" in theatrical history. It was a fitting subject because I was living in the era that followed that of modern plays. I was especially drawn to the works of the American playwright Eugene O’Neill, which I read in both English and Japanese. My fascination with drama grew only from his plays.
   After graduating from university, I read fewer plays, but I began attending more live performances and enjoyed a wide variety of shows several times a year. During a year I spent in London, I made it a point to see a play every two weeks. Now that I have retired, I have found myself with an unimaginable abundance of time. This led me to the idea of creating a digital book of photographs or postcards of theatrical scenes scattered on the Web, and sharing them with all of you around the World. These images were photographed nearly a century ago and are free from copyright restrictions. 
   Among thousands of them are hundreds of photographs collected by Japanese enthusiasts of plays around 1930. At that time, new theater groups were emerging in Japan, drawing inspiration from Western drama. For these groups, photographs of stage scenes were likely the only reference material available for creating costumes and stage sets. Some of these images are so rare that even people in the West today could not find them—and I would like to share them with you all. 
   This is a starting point for this website. From here, I have expanded my search, scouring various countries to collect theatrical photographs, especially in Europe and America, from roughly 1890 to 1935, when theater was a major form of entertainment not just in Japan but globally. 
  I am very happy to invite you to step into that vibrant, spectacular world of theatrical plays.



   This website invites all people in the world to enjoy viewing the various theatre scenes in Europe and America, especially from 1890 until 1935, when people enjoyed theatrical performances most of all times, but eventually drew to a close with the arrival of cinema.

   Each blog of drama performances consists of these parts.
  •  Title of each performance of the play
  •  Simple annotation of the performance
  •  Additional annotation of the performance or the play or the playwright
  •  And, most important of all, the photographs and postcards and pictures of the performance of the play, which are basically in the public domain because they are over 100 years old 
  • Link to other sites for further information on each performance or each play.


HOW TO USE THIS SITE

・The easiest way to make full use of this site is to use the search window or gadget on the right-hand column of the blog, with such keywords as the name of the playwright, the title of the play, or the year or the place of the performance.

・Drama performances are arranged chronologically from the newest to the oldest and archived in the following way.
       Year of Performance 1914  ⇒  1914+100=2014  ⇒ Archived in the year 2014
       But performances year after 1926 are all archived under the year 2026.

This blog uses traffic analysis tools and advertisements.
                                       


Privacy Policy   Effective date: 2026-10-27
This Privacy Policy explains how Imawo AIKAWA collects, uses, and protects your information when you visit https://aikawaimawo.blogspot.com/ or use our services.
Information we collect
We never collect:
•  Information you provide directly, such as your name, email address, and any details you enter into forms.
•  Information collected automatically, such as your IP address, browser type, device information, and pages you visit.
•  Cookies and similar technologies (see our Cookie Policy for details).
How we use your information
We never use your information to:
•  Provide, operate, and maintain our website and services.
•  Respond to your enquiries and provide customer support.
•  Send you updates, if you have asked to receive them.
•  Improve our website, understand how it is used, and keep it secure.
Sharing your information
We never share your personal information with:
•  Service providers who help us operate our website (for example, hosting, analytics, and email delivery), under agreements that require them to protect your data.
•  Authorities or third parties where required by law or to protect our rights.
Data retention
We never keep your personal information at all even if necessary for the purposes described in this policy, except as required by law.
Your rights
Depending on where you live, you may have the right to access, correct, delete, or restrict the use of your personal information, and to object to certain processing. To exercise these rights, if necessary, contact us at exe1995ter@gmail.com.


Franziska (1911) written by Frank Wedekind and produced at the Theater am Nollendorfplatz under the direction of Karl Heinzmartin in 1926

Scenes from Franziska (a modern Mystery in five acts, 1911) written by the German playwright Frank Wedekind (1864 - 1918)  and produced at the Theater am Nollendorfplatz in Berlin, directed and designed by Karl Heinzmartin (1886 - 1948) on November 1, 1926. 






Friday, 2 October 2026

If (1921), written by Lord Dunsany and performed on Broadway at the Little Theatre from October 25 to November 1, 1927.

   A scene from If (a four-act play), written by Irish playwright Lord Dunsany (1878-1957) in 1921 and performed at the Little Theatre in New York City from October 25 to November 1, 1927, starring Walter Kingsford as John Beal and Margot Lester as Miralda Clement. The play was staged by Agnes Morgan, with costumes designed by Aline Bernstein.

   The New York Times :  1927/10/30  WIT AND CLOWNING; In "If" Dunsany Tales His Hand at Modish Satire ...   Alas, Dunsany is too much the gentleman to wear the jester's motley comfortably, and “If” emerges as a thin, trickling garden party diversion.




Monday, 28 September 2026

Hamlet written by William Shakespeare and performed at the Deutsches Volkstheater, Vienna, in 1926.

Scenes from Hamlet written by the English playwright William Shakespeare and performed at the Deutsches Volkstheater, Vienna, in 1926, starring Alexander Moissi as Hamlet.






Alexander Moissi as "Hamlet", Deutsches Volkstheater, 1926 


Alexander Moissi as Hamlet





Lavrenyov's 'Fault' performed at the Vakhtangov Theatre, Moscow, in 1927 with scenery by N. P. Akimov.

Lavrenyov's 'Fault' was performed at the Vakhtangov Theatre, Moscow, in 1927 with scenery by Nikolay. P. Akimov (1901 – 1968). Boris Andreyevich Lavrenyov (1891 – 1959) was a Soviet Russian writer and playwright.




Armored train 14-69, written by Vsevolod Ivanov and performed by the Moscow Art Theater on 8 November 1927

Scenes from Armored Train 14-69 (Бронепоезд 14–69, a 1927 Soviet play) written by Russian playwright Vsevolod Ivanov (1895-1963) and first performed by the Moscow Art Theater on 8 November 1927, with the theatre set by the Russian scenographer Viktor A. Simov (1858-1935).





Photo of Khmelev (centre) from the 1927 Moscow production.




Further information about Armoured Train 14-69


A sketch of the scenery by G. Dumont for Philocnetus (the tragedy) written by the ancient Greek tragedian Sophocles.

A sketch of the scenery by G. Dumont for  Philocnetus (the tragedy) written by the ancient Greek tragedian Sophocles.