Friday, 31 July 2026

Some scenes from Rupert of Hentzau written by Anthony Hope (1863-1933), and performed at the St. James's Theatre, London, in 1900.

   Some scenes from Rupert of Hentzau written by the British playwright Anthony Hope (1863-1933), and performed at the St. James's Theatre, London, in 1900.

   Sir Anthony Hope Hawkins, better known as Anthony Hope, was a British novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898).

   LONDON, Feb. 1.—St. James's Theatre, which was entirely remodeled during George Alexander's absence from London, was reopened this evening with Anthony Hope's "Rupert of Hentzau"...



The Illustrated Sporting and Dramatic News, February 10th 1900, "Rupert of Hentzau" at the St. James's Theatre.
a- Rupert of Hentzau (Mr. H.B. Irving). and Rudolf Rassendyll (Mr. George Alexander).
b- Rosa Holf (Miss Julie Opp). Rupert of Hentzau (Mr. H.B. Irving).
c- Colonel Sapt (Mr. W.H. Vernon).
d- Lieut. Bernenstein (Mr. Sydney Brough).
    Count Rischenheim (Mr. Bassett Roe).
    Colonel Sapt (Mr. W.H. Vernon).
    Rudolf Rassendyll (Mr. George Alexander).
e- Baroness Von Diekerk (Miss Katie Sergeantson).
    Sophia Von Diekerk (Mrs. Maesmore Morris).
    Baron Von Diekerk (Mr. G.P. Hawtrey).
    Rudolf Rassendyll (Mr. George Alexander).
f- King Rudolf of Ruritania (Mr. George Alexander. 
   Boris. (Dog).






1900 LONDON St James's Rassendyll George Alexander Rupert Hentzau Irving (68)



Some scenes from Old Heidelberg written by Wilhelm Meyer-Förster (1862–1934), and performed at the St James's Theatre, London, from 19 March to 17 July, 1903.

   Some scenes from Old Heidelberg written by  the German playwright Wilhelm Meyer-Förster (1862–1934), and  performed with the director Bill Alexander and the designer Walter Hann at the St James's Theatre, London, from 19 March to 17 July, 1903, running 129 performances.

   Old Heidelberg (German: Alt Heidelberg) is a five-act romantic drama written by German author Wilhelm Meyer-Förster, which premiered on 22 November 1901 at the Berliner Theater in Berlin. Adapted from Meyer-Förster's own 1898 novel Karl Heinrich, the play is a nostalgic "Studentenstück" (student piece) that evokes the idyllic student life in Heidelberg during the late 19th century.

   LONDON, March 20 -- The Times's critic says of "Old Heidelberg," the English version of "Alt Heidelberg," produced by George Alexander last evening at the St. James's Theatre, that it...




























Several scenes fromJohn Glayde's Honour (a new and original play in four acts) written by Alfred Sutro (1863 - 1933), and performed at the St. James's Theatre, London, in 1907.

Several scenes fromJohn Glayde's Honour (a new and original play in four acts) written by the English playwright Alfred Sutro (1863 - 1933), and performed at the St. James's Theatre, London, in 1907.



The Sphere, April 27th, 1907,  "John Glayde's Honour" at the St. James's Theatre.
1- The Beginning of the Trouble- The Little Dinner in Mrs. Glayde's Flat in Paris. 
2- Developments- "Don't do it"
3- The Two Juliets.
4- Husband and Wife.
5- The End of the Trouble- Lerode and Mrs. Glayde.
6- Preparing to Elope.



TheIllustrated Sporting and Dramatic News, April 27th, 1907, "John Glayde's Honour," By Alfred Sutro, at the St. James's Theatre.
   1- Muriel :"You've lots of millions." John : "Lots. and they haven't done much for us, so far, have they?  But they're going to.
   2- Muriel :  " Till to-night, and then always."




The Sphere, April 27th, 1907,  "John Glayde's Honour" at the St. James's Theatre.
1- The Beginning of the Trouble- The Little Dinner in Mrs. Glayde's Flat in Paris. 
2- Developments- "Don't do it"
3- The Two Juliets.
4- Husband and Wife.
5- The End of the Trouble- Lerode and Mrs. Glayde.
6- Preparing to Elope.


A scene from The Eighteenth Century performed at the St. James's Theatre, London, 1907.

A scene from The Eighteenth Century performed at the St. James's Theatre, London, 1907.



The Illustrated Sporting and DRamatic News, August 17th, 1907," The Eighteenth Century at the St. James's Theatre.
   a- To-day and TTto-morrow,  1906.- Miss Grace Lane,as Stacey Trevor-Coke (an heiress),  and Mr. Edward Compton as the ninth Earl of Laidlaw.- "Where did you get this?"  "It belonged to someone i I loved."
   b- Yesterday, 1745.- Miss Grace Lane as Anastasia Coke, and Mr. Henry Ainley as Ensign Rupert Trevor.- "Forgive your penitent and most devoted lover." 
   c- The end of Act II.  (1745).- Mr. Henry Ainley as Ensign Rupert Trevor- lying on ground- and Mr. Compton as Lord Laidlaw-bending over him.-"Take those eyes away."




A scene from If i were King (an opéra-comique in three acts) created by Adolphe Adam (1803-1856) and performed at the St. James's Theatre, London, in 1903.

   A scene from If i were King (an opéra-comique in three acts) created by Adolphe Adam  (1803-1856) and performed at the St. James's Theatre, London, in 1903.
   This opera-comique was written by the French composer Adolphe Adam while he was working as a journalist, with the libretto written by Adolphe d’Ennery and Jules Bresil.  It is seen as possibly Adam’s finest work, although less popular than some of his others, and was first staged at Paris’ Theatre Lyrique in September 1852. 



(The Illustrated Sporting and Dramatic News, Match 7th, 1903,)


Thursday, 30 July 2026

A scene from A Man of the Moment performed at the St. James's, London, probabaly in July, 1905.

 A scene from A Man of the Moment performed at the St. James's, London, probabaly in July, 1905.



The Bystander, July 12th, 1905, called "A Man of the Moment at the St. James's,"showing a Photograph for "Mr. George Alexander and Mme. Simone Le Bargy, in the great scene of the play."


FOR  YOUR  REFERENCE
Justice Owen : A Man of the Moment. The man of the moment is his Honor Mr. Justice Owen. Whatever may come of the Lands Inquiry, no man could have been selected who would give as much satisfaction to the public, or whose appointment would be regarded with such confidence. Judge Owen is one of the most popular members of the Bench in this State. He is the youngest son of the late Colonel Owen, of the 72nd Highlanders, whose family is a younger branch of the Owens (now Cholmondeleys), of Condover Hall, Salop. He was born in 1834, in Ireland, and educated at Cheltenham College and Trinity College, Dublin, where he was a prizeman and medallist. He was called to the Bar in 1859, and emigrated to New South Wales in 1860. Whilst at the Bar he was noted for his comprehensive grasp of the law, as administered in all its branches, although known and for many years recognised as an eminent Equity lawyer. He achieved great celebrity for the way in which he handled the case, "Anderson and Fairfax," in the Common Law Courts, which excited a good deal of comment at the time. Mr. Owen's address on that occasion has long been looked upon as one of the masterpieces of advocacy in the annals of the Bar. In this case it may be said that he made his reputation. He was made a Q.C. in 1882, and was elevated to the Bench on October 18, 1887. For many years his Honor filled the important office of Chief Judge in Equity, which he invested with great dignity. Whilst occupying that position he has delivered judgments that are now recognised as classics in the exposition of that court. He retired from the Equity Bench in November, 1896, to take up the onerous duties of Judge of Nisi Prius. Whether the fact that his son, Mr. Langer-Owen, held a leading position at the Equity Bar, and was constantly appearing before his father, in any way accounted for this change is not, of course, known. If so, his Honor showed a very wise discrimination, as his retirement from the Chief Judgeship of the Equity Bench has enabled his brilliant son to demonstrate that his prominence at the Equity Bar is due to his own innate ability. Judge Owen's readiness in adapting himself to the practice of the Common Law Courts came as a great surprise to those practitioners, who were accustomed to regard Equity lawyers as belonging to a different profession, rather than to a different branch of the same profession. His Honor's versatility in dealing with the different jurisdictions administered by our courts must have been recognised by the masterly manner in which the infamous Coningham case was conducted at the second hearing before him. Judge Owen is also Deputy Judge-Commissary in the Vice-Admiralty Court, and in that jurisdiction he has actually man-aged in several decisions to satisfy both parties. No greater praise could be bestowed on a judge than this. His Honor, as we have said, is the man of the moment, and upon him are fixed countless eyes. But this is not the first commission in which he has been engaged, and most people will recollect that in 1892 he was appointed one of the commission to inquire into the charge brought against the late Mr. Eddy, Chief Commissioner of Railways, by Mr. Schey, who was then a member of the Legislative Assembly in the Lower House. He was married twice. First, in 1860, to a daughter of Langer Carey, M.D. ; she died in 1866 ; and secondly, in 1875, to Florence, daughter of James Levick. The second wife died in 1876. In private life, his Honor is very fond of pottering about his grounds and garden. He has a beautiful residence at Hunter's Hill, and the picturesqueness of his garden shows that the judge puts as much energy into his amusements as he does into his cases. One's impression of Judge Owen is a man of very polished and gentlemanly demeanour, courteous to witnesses, of untiring patience, and demonstrated ability. A few years back his Honor was granted leave of absence owing to the regrettable state of his health ; but now we are glad to say, he looks as well as ever he did, and the inexhaustible energy he throws into the suits that come before him seems to indicate a complete return to his former robust self.  (The Cumberland Argus and Fruitgrowers Advocate, Wed. 7 June, 1905, Page 3 )



Many scenes from The Man of Forty (a play in four acts) written by Walter Frith (1856-1941), and performed at the St. James's Theatre, London, in 1900.

   Many scenes from The Man of Forty (a play in four acts) written by the English authour Walter Frith (1856-1941), and performed at the St. James's Theatre, London, in 1900.
   First performed at the Theatre Royal, Manchester, on 27 October, 1898, and the revised version by George Alexander at the 28 March - 6 July 1900 at the St James Theatre, London.







(The Illustrated Sporting and Dramatic News, May 19th, 1900)




1900 LONDON St James's Man of Forty Irving Villain Julie Opp Alexander

   This play was then produced in the USA by Daniel Frohman at Daly's Theatre, New York, playing from 26 November to 20 December, 1900. 
   The Man Of Forty : "A Modern Play" by Walter Frith. Produced by Daniel Frohman's Company at Daly's Theatre (NYC - 1900) starring John Mason, Edward Morgan, William Courtenay, Grant Stewart, Hilda Spong, Cecelia Loftus, Alison Skipworth, etc.