Enrico IV (Henry IV 1922) written by Luigi Pirandello and produced at Tribune, Berlin, around 1925

A scene from Enrico IV (Henry IV, 3-act-tragedy, 1922) written by the Italian playwright Luigi Pirandello (1867 - 1936) and produced at Tribune, Berlin, around 1925.

Enrico IV (Henry IV 1922) written by Luigi Pirandello and produced at the Everyman Theatre, London, in 1925

A scene from Enrico IV (Henry IV 1922) written by the Italian playwright Luigi Pirandello (1867 - 1936) and produced at the Everyman Theatre, London, in 1925, with Nancy Price (1880 - English stage actress, 1970) playing as Marchioness Matilda Spina. 

Il Piacere dell'onestà (1917) written by Luigi Pirandello and produced at the Kammerspiele, Berlin, in 1925

A scene from Il Piacere dell'onestà (Die Wollust der Ehrlichkeit, 3-act-comedy, 1917) written by the Italian playwright Luigi Pirandello (1867 - 1936) and produced at the Kammerspiele, Berlin, on February 27, 1925.

A vörös malom (The Red Mill, 1923), written by Molnár Ferenc and produced at the Burgtheater, Vienna, in 1924.

A scene sketch for A vörös malom (The Red Mill, a 3-act comedy, published in 1923), written by Hungarian playwright Ferenc Molnár (1878-1952) and produced at the Burgtheater in Vienna on January 30, 1924. The play was also produced in Budapest in 1922 and in New York in 1928.

Stage design by Herman Krehan? for Når vi døde vaagner (When We Dead Awaken 1899) written by Henrik Ibsen and produced at the Landestheater in Meininger, Germany, around 1925

Stage design by Herman Krehan? for Når vi døde vaagner (Wenn wir Toten erwachen, When We Dead Awaken 1899) written by Norwegian playwright Henrik Ibsen (1828 - 1906) and produced at the Landestheater in Meininger, Germany, around 1925.

Peer Gynt (1845) written by Henrik Ibsen and produced at the Burgtheater, Vienna, in 1925

Scenes from Peer Gynt (1845) written by the Norwegian playwright Henrik Ibsen (1828 - 1906) and produced at the Burgtheater (Austrian National Theatre), Vienna, in 1925.

A sketch drawn by Hans Wildermann, for Peer Gynt (1845) written by Henrik Ibsen and produced around 1925

A sketch drawn by Hans Wildermann (German), for stage setting of Peer Gynt (1845) written by the Norwegian playwright Henrik Ibsen (1828 - 1906) and produced around 1925.

Vildanden (The Wild Duck 1884) written by Henrik Ibsen and produced at the Tribüne Theatre, Berlin, around 1925

     A scene from Vildanden (Die Wildente, The Wild Duck 1884) written by the Norwegian playwright Henrik Ibsen (1828 - 1906) and produced at the Tribüne Theatre, Berlin, around 1925.

Peer Gynt (1867) written by Henrik Ibsen, staged by Remigius Geyling at Burgtheater Vienna in 1925

A scene from the second act of Peer Gynt (five-act play first published in 1867) written by the Norwegian playwright Henrik Ibsen (1828-1906), staged by Remigius Geyling (1878-1974) at Burgtheater Vienna (Wien) in 1925.

More Information about Geyling

Le Jeu de l'amour et de la mort (1925), written by Romain Rolland and produced at the Deutsches Theater, Berlin, under the direction of Otto Welter? around 1925

A scene from Ein Spiel von Tod und Liebe (Le Jeu de l'amour et de la mort), written by French playwright Romain Rolland (1866-1944) and produced at the Deutsches Theater in Berlin under the direction of Otto Welter? around 1925.

Le Jeu de l'amour et de la mort (1925), written by Romain Rolland and produced in Prague with the stage designed by Hoffmann? around 1925

A scene from Hra o lásce a smrti (Le Jeu de l'amour et de la mort, 1925), written by French playwright Romain Rolland (1866 - 1944) and produced by Karel Hugo Hilar at Národní divadlo (National Theatre) in Prague with the stage designed by Vlastislav Hofman, running for 15 performances from December 12, 1925, to April 21, 1926.

L'Illusionniste (1917), written by Sacha Guitry and produced at the Modern Theatre in Vienna in 1924.

A scene from  Der Illusionist (L'Illusionniste, a 3-act comedy first performed at the théâtre des Bouffes-Parisiens in 1917), written by French playwright Sacha Guitry (1885-1957) and produced at the Modernes Theater (Modern Theatre) in Vienna on November 7, 1924.

More Information about the Playwright

On ne badine pas avec l’amour (1834), written by Alfred de Musset and produced at the Comédie-Française, Paris, in 1923.

A scene from On ne badine pas avec l’amour (1834), written by French playwright Alfred de Musset (1810-1857) and directed by Charles Grandval at the Comédie-Française in Paris on January 8, 1923. 

Vildanden (The Wild Duck 1884) written by Henrik Ibsen, and produced by Stanford University, USA, with the stage designed by Harold Belvenston? in 1925-26?

A scene from Vildanden (The Wild Duck, first published in 1884) written by the Norwegian playwright Henrik Ibsen (1828-1906), and produced by Stanford University, USA, with the stage designed by Harold Belvenston? in 1925-26?

Le Mariage de Figaro (1778), written by Pierre Augustin Caron de Beaumarchais and produced at the Eastman Theatre in Rochester, New York, under the direction of Max Reinhardt around 1925

Scenes from The Marriage of Figaro (Le Mariage de Figaro, 1778), written by  French playwright Pierre Augustin Caron de Beaumarchais (1732 - 1799) and produced at the Eastman Theatre in Rochester, New York, under the direction of Max Reinhardt (Austria-born theatre director, 1873 - 1943) around 1925.

Phèdre (1677), written by Jean Racine and produced in Prague in 1926.

A scene from Phèdre (originally Phèdre et Hippolyte, a French tragedy in five acts, premiered in 1677 at the theatre of the Hôtel de Bourgogne in Paris), written in alexandrine verse by French playwright Jean Racine (1639-1699) and produced at Národní divadlo Praha (Prague National Theatre) under the direction of Karel Dostal, with the stage designed by Vlastislav Hoffmann on March 31, 1926. 

Mandat (The Warrant, 1925), written by Nikolai Erdman and produced at Meyerhold's Theatre in 1925.

Scenes from Mandat (The Warrant , 1925), written by Russian playwright Nikolai Erdman (1900 - 1970) and produced at Meyerhold's Theatre under the direction of Vsevolod Emilevich Meyerhold (Russian theatre director, 1874-1940) in 1925.

The wedding scene in the last act

l

Sun-Up (folk play, 1918), written by Lula Vollmer and produced at the Vaudeville Theatre, London, on May 4, 1925 and later at the Lyric Theatre, starring Lucille La Verne as Widow Cagle

A scene from Sun-Up (folk play, 1918), written by American playwright Lula Vollmer (1898-1955) and produced at the Vaudeville Theatre in London on May 4, 1925, and later at the Lyric Theatre, starring Lucille La Verne (1872-1945, Broadway actress) as Widow Cagle. The London production lasted for eight months, with 234 performances, and also toured smaller cities in Great Britain for a year.